[et_pb_section admin_label=\u00a0\u00bbSection\u00a0\u00bb fullwidth=\u00a0\u00bbon\u00a0\u00bb specialty=\u00a0\u00bboff\u00a0\u00bb][et_pb_fullwidth_image admin_label=\u00a0\u00bbImage en pleine largeur\u00a0\u00bb src=\u00a0\u00bbhttp:\/\/www.tango-ostinato.com\/wp-content\/uploads\/2016\/10\/702000_10200094114018501_1498386048_o.jpg\u00a0\u00bb show_in_lightbox=\u00a0\u00bboff\u00a0\u00bb url_new_window=\u00a0\u00bboff\u00a0\u00bb use_overlay=\u00a0\u00bboff\u00a0\u00bb animation=\u00a0\u00bbleft\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb] [\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section admin_label=\u00a0\u00bbSection\u00a0\u00bb fullwidth=\u00a0\u00bbon\u00a0\u00bb specialty=\u00a0\u00bboff\u00a0\u00bb][et_pb_fullwidth_header admin_label=\u00a0\u00bbEn-t\u00eate plein \u00e9cran\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb header_fullscreen=\u00a0\u00bboff\u00a0\u00bb header_scroll_down=\u00a0\u00bboff\u00a0\u00bb parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bboff\u00a0\u00bb content_orientation=\u00a0\u00bbcenter\u00a0\u00bb image_orientation=\u00a0\u00bbcenter\u00a0\u00bb custom_button_one=\u00a0\u00bboff\u00a0\u00bb button_one_letter_spacing=\u00a0\u00bb0″ button_one_use_icon=\u00a0\u00bbdefault\u00a0\u00bb button_one_icon_placement=\u00a0\u00bbright\u00a0\u00bb button_one_on_hover=\u00a0\u00bbon\u00a0\u00bb button_one_letter_spacing_hover=\u00a0\u00bb0″ custom_button_two=\u00a0\u00bboff\u00a0\u00bb button_two_letter_spacing=\u00a0\u00bb0″ button_two_use_icon=\u00a0\u00bbdefault\u00a0\u00bb button_two_icon_placement=\u00a0\u00bbright\u00a0\u00bb button_two_on_hover=\u00a0\u00bbon\u00a0\u00bb button_two_letter_spacing_hover=\u00a0\u00bb0″]<\/p>\n
Avec la cr\u00e9ation ABRAZOS, le spectateur est emmen\u00e9 dans l\u2019univers du tango argentin dans sa forme contemporaine. Si l\u2019\u00e9coute d\u2019un vieux tango et la visualisation de pupitres d\u2019un orchestre de bal tango nous immerge dans le pass\u00e9 du tango argentin, rapidement les danseurs nous rappellent que rien n\u2019est fig\u00e9 dans le temps.<\/span><\/p>\n Les pupitres changent de configuration, les partitions sont un quelque peu bouscul\u00e9es mais au fond, ce n\u2019est que l\u2019interpr\u00e9tation qui change. L\u2019abrazo, ou l\u2019enlacement si typique du tango argentin qui offre une exp\u00e9rience sensible et personnelle au danseur, symbolise \u00e0 lui tout seul l\u2019arriv\u00e9e d\u2019une nouvelle forme de tango, le tango contemporain. \u00a0<\/span><\/p>\n On retrouvera dans le trio \u00ab What am I doing here ? \u00bb une suite d\u2019\u00e9tats d\u2019\u00e2me que la femme peut traverser dans la situation de bal. C\u2019est un hommage \u00e0 toutes les femmes qui ont pass\u00e9, malgr\u00e9 elles, tant de temps sur leurs chaises ! Dans la sc\u00e8ne finale, les danseurs s\u2019abandonneront \u00e0 un jeux d\u2019enlacements et de d\u00e9tachements \u00e0 cinq, cr\u00e9ant des moments riches de surprises et de retournements d\u2019\u00e9nergie.<\/span><\/p>\n Entre composition et interpr\u00e9tation l’\u00e9criture des chor\u00e9graphes, tout en<\/span><\/p>\n rendant hommage \u00e0 l\u2019h\u00e9ritage du pass\u00e9 et \u00e0 sa m\u00e9moire, donne place \u00e0 l’impr\u00e9vu qui g\u00e9n\u00e8re des formes nouvelles. La travers\u00e9e de diff\u00e9rents \u00e9tats de corps, semblable aux \u00e9volutions d\u2019une suite musicale, sera \u00e0 l\u2019origine de diff\u00e9rents \u00e9tats de danse confront\u00e9s \u00e0 l\u2019id\u00e9e de transformation<\/span><\/p>\n \u00abA quoi sert aussi la danse ? A brouiller les rep\u00e8res, m\u00e9langer les formes, traditions et nouvelles sensations….Le temps s\u2019\u00e9tire au rythme de notes graves de violoncelle rondes et organiques, sur la dynamique d\u2019une danse \u00e9lastique.\u00a0<\/i><\/span><\/p>\n Dans un monde au ralenti, d’\u00e9motions intenses et contenues, tout est possible\u00bb.\u00a0<\/i><\/span><\/p>\n Guy Degeorges – journaliste\u00a0<\/i><\/span><\/p>\n Un soir ou un autre<\/i><\/span><\/p>\n [\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section admin_label=\u00a0\u00bbSection\u00a0\u00bb fullwidth=\u00a0\u00bboff\u00a0\u00bb specialty=\u00a0\u00bboff\u00a0\u00bb][et_pb_row admin_label=\u00a0\u00bbLigne\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″][et_pb_image admin_label=\u00a0\u00bbImage\u00a0\u00bb src=\u00a0\u00bbhttp:\/\/www.tango-ostinato.com\/wp-content\/uploads\/2016\/10\/Dossier-Cie-TANGO-OSTINATO-Claudia-Miazzo-Jean-Paul-Padovani-juin-2016-1.jpg\u00a0\u00bb show_in_lightbox=\u00a0\u00bboff\u00a0\u00bb url_new_window=\u00a0\u00bboff\u00a0\u00bb use_overlay=\u00a0\u00bboff\u00a0\u00bb animation=\u00a0\u00bbleft\u00a0\u00bb sticky=\u00a0\u00bboff\u00a0\u00bb align=\u00a0\u00bbleft\u00a0\u00bb force_fullwidth=\u00a0\u00bboff\u00a0\u00bb always_center_on_mobile=\u00a0\u00bbon\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb] [\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbTexte\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb]<\/p>\n Chor\u00e9graphie\u00a0: Claudia Miazzo et Jean Paul Padovani\u00a0<\/span><\/p>\n Interpr\u00e9tation\u00a0: PhIlipe Lebhar, Marjorie Hannoteaux,\u00a0<\/span><\/p>\n Claudia Miazzo,, Jean Paul Padovani, Caroline Savi<\/span><\/p>\n Musique\u00a0:\u00a0Cr\u00e9ation originale \u2013 Alexander Zekke\u00a0<\/span><\/p>\n Lumi\u00e8res\u00a0et\u00a0\u00a0R\u00e9gie\u00a0 g\u00e9n\u00e9rale\u00a0: Laurent Matignon\u00a0<\/span><\/p>\n Production\u00a0: Cie TANGO OSTINATO\u00a0<\/span><\/p>\n Coproduction\u00a0: Th\u00e9\u00e2tre de Vanves sc\u00e8ne conventionn\u00e9e pour la danse<\/span><\/p>\n (Cie en r\u00e9sidence 2011\/2012)<\/span><\/p>\n Partenaires\u00a0: La Briqueterie CDC du Val-de-Marne, Micadanses,\u00a0CND – Pantin, Le Point \u00c9ph\u00e9m\u00e8re – Paris, Le Regard du Cygne – Paris,\u00a0ARCADI – l\u2019EMA\u00a0 Vitry sur Seine<\/span><\/p>\n Avec le soutien de la DRAC Ile-de-France, de la Ville de Paris, du Conseil G\u00e9n\u00e9ral des Hauts de Seine et la R\u00e9gion Ile-de-France.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fullwidth=\u00a0\u00bboff\u00a0\u00bb specialty=\u00a0\u00bboff\u00a0\u00bb admin_label=\u00a0\u00bbSection\u00a0\u00bb][et_pb_row admin_label=\u00a0\u00bbLigne\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_video admin_label=\u00a0\u00bbVid\u00e9o\u00a0\u00bb src=\u00a0\u00bbhttps:\/\/youtu.be\/bgPx9znoh0E\u00a0\u00bb \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section admin_label=\u00a0\u00bbSection\u00a0\u00bb fullwidth=\u00a0\u00bbon\u00a0\u00bb specialty=\u00a0\u00bboff\u00a0\u00bb][et_pb_fullwidth_image admin_label=\u00a0\u00bbImage en pleine largeur\u00a0\u00bb src=\u00a0\u00bbhttp:\/\/www.tango-ostinato.com\/wp-content\/uploads\/2016\/10\/702000_10200094114018501_1498386048_o.jpg\u00a0\u00bb show_in_lightbox=\u00a0\u00bboff\u00a0\u00bb url_new_window=\u00a0\u00bboff\u00a0\u00bb use_overlay=\u00a0\u00bboff\u00a0\u00bb animation=\u00a0\u00bbleft\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb 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